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Archive for October, 2007

I’m Turning Japanese…(I really think so)

Tuesday, October 30th, 2007

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It’s has just now occurred to me, that out of all of my blogs so far I have never written a blog on manga. I confess that this particular subject matter is a bit out of my field of expertise I think with some exposure to the art and perhaps a lot of reading, I’ll get used to the genre. However, give me my classic pulp in the American style any day. One of the toughest things to get used to when dealing with manga, next to the unique art, is the panel layouts. Instead of reading them traditionally from left to right, the panels are positioned on the page so that they are read from top to bottom, left to right. Anyway, my search for the best manga has ended with a title voted on my readers as the best manga period. That title was published by Viz Communications, which is a major publisher of manga reprinted in English. Banana Fish by Akimi Yoshida, spanned almost a decade and tells the story of an American soldier in Vietnam who guns down his army buddies, and has since only uttered the words, “Banana Fish.” While the intriguing concept and story delivers, the art is where I feel that the majority of manga titles fail. I think the lack of detail in panels, essentially kill the writer’s ability to tell the story aptly. If you’re interested in more information on the genre, and of course, I’ll keep you updated as well, feel free to check out Jason’s blog on 451 press, Anime Fans online. It’s here:http://www.animefansonline.com/. Also, I may do some more random reviews sometime soon so be sure to keep checking back.

Top Five Failed Plotlines in Comics

Friday, October 26th, 2007

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Sometimes in life things don’t always work out the way we intend for them to. There are always ironies a plenty. For example, Brittney Spear mother is writing a parenting book. Bad idea. Publishers have bad ideas about comic books too, so we’re going to take a walk down memory lane to the top five failed plotlines in comics.

1. The Spider-Clone Saga: I’m still confused. The Spider-Man who’s been through Civil War and now is in the middle of “One More Day,” That’s Peter Parker right? Are we sure? Is the clone of aunt May going to die this time? Oh, the drama! Despite it’s complete and utter failure to accomplish anything remote resembling a sensible plot, it is sort of amusing if you flip through the pages really fast while listening to Eminem’s “Real Slim Shady.” I was easily amused for about 30 seconds.

2. The Death of Superman: Come on. We all knew that the Man of Steel wouldn’t stay dead long. It proved to be a sad day in America when Doomsday ended the life of our collective favorite Boy Scout. Or should I say a marketing team attempted to destroy an American icon. The Funeral for a Friend aftermath proved to be run-of-the mill, and I couldn’t even muster up any sympathy for Lois and her tears, knowing Supes would be flying around well in no time. That storyline tried to hard to be poignant and felt lifeless and forced. Then there was the different “versions” of Superman. Please….Steel…come on, can anyone say, Cyborg reincarnated.

3. Knightfall: They broke Batman’s back. I couldn’t believe it when it happened. A steroid-infested pro wrestler wannabe broke Batman’s back when he had survived the Joker, Scarecrow, Poison Ivy, Mister Freeze, and countless Gothan thugs. Other than the death of Superman, I don’t think I’ve ever seen a more shameless sales tactic.

4. The Death of Captain America: Despite being set in the “Civil War,” world, and the one “shocking” event to boost sales of the crossover, the storyline wasn’t all too bad. Why’s it on this list. All of the plot, all of the drama, goes out the window as respectable in my book when I saw how the Captain went down. He went down by a sniper. Pathetic.

5. Captain Carrot and the Amazing Zoo Crew: The title of the book itself is self-explanatory. The entire series was a failed plotline and is just plain goofy.

30 Days of What?

Friday, October 26th, 2007

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Goblins and ghosts and vampires, oh my! While I’ve yet to see 30 Days of Night I’ve heard quite a mixed bag. Has anyone seen this (blood) sucker yet? Yahoo, which is usually my primary source of information, has some reviews posted, so I thought I’d be nice and share a few of my favorites. I’ve posted some of my favorites from critics and users alike. From what I’ve seen and heard so far, it seems to be more loathed by the critics and the general movie-going population like it. I think the main discrepancy between the movie and the graphic novel is the issue of pacing. From what I understand the movie moves slowly (probably to leave enough plot room for the dreaded sequel.) 31 Days of Night anyone? If you’re looking for something ultra-creepy to do this Halloween however, why not revisit some classic comics instead. Check out my blog Octoberfest here http://www.comicbookjournal.net/octoberfest/
for a list of the scariest reading out there. So without further ado here’s some food for thought to determine whether or not to go see 30 Days of Night. We’ll start with the users first.

The user reviews:

Very RARELY do I shout “Oh My God” at a movie. But this picture made yell out loud. It combines suspense, shock, horror, and gore.

hollywood has done something right for the first…in a long time: made a DECENT horror flick that was RATED-R, now lets pray that they can make a decent video game…

the suspense and stunning visuals take over as soon as the credits roll. The action was breath taking from the beginning. In addition the story is much more.

Versus the critics here:
“A nifty premise… spoiled by slipshod storytelling and a grim, charmless cast.”

“…sucks the fun out of graphic novel.”

“…relentlessly one-note.”

“…amounts to two hours of missed opportunities.”

And my personal favorite:

“Hartnett…once again displays the same range of facial expressions as the average footstool…”

So what do you think 30 Days of Night or 30 Days of Nothing. Let me know if you’ve seen this flick and what you thought.

Calling All Superfriends

Monday, October 22nd, 2007

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The holiday season is approaching and while attempting (in vain) to find a Superfriends poster displayed on an episode of Seinfeld as a holiday gift, I thought a list of superhero and Superman reference on Seinfeld would be fun. So without further ado here a list of Seinfeld references:

http://www.comicbookjournal.net/can-you-hear-me-now-superman/

“Good News, Bad News” (1989) - This is the pilot episode of the show. The next episode wouldn’t air for almost another year. There’s a scene where Jerry’s relaxing at home in bright red and blue sweatpants. Now if it were anyone else’s pilot of any other sitcom, I might believe this was a coincidence but Jerry’s a geek like us. It’s no coincidence.

“The Stock Tip” (1990) - The episode opens with George and Jerry sitting in regular haunt Monk’s Coffee Shop debating whether Superman has a super-sense of humor. Jerry: “I think Superman probably has a very good sense of humor.” George: “I never heard him say anything really funny.” Jerry: “It’s common sense. He’s got super strength, super-speed; I’m sure he’s got super-humor.” George: “Either you’re born with a sense of humor or you’re not. It’s not going to change. Even if you go from the red sun of Krypton all the way to the yellow sun of the Earth.” As George makes his point, he uses the red ketchup bottle and yellow mustard bottle to represent the red and yellow suns. Jerry: “Why? Why would that one area of his mind not be affected by the yellow sun of the Earth?” George: “I don’t know. But he ain’t funny.”

But Superman returns later in this episode. At the end, after Jerry sold a stock prematurely that George ended up profiting on, George lauded it over Jerry: “Too bad you can’t get your buddy Superman to fly around the Earth at super speed and reverse time, get all the money back….” Elaine interjects: “Superman can go back in time?” Jerry replies: “We went over that.”

“The Statue” (1991) - He guest-starred on the first season of “The Superfriends”, he appeared in the Grant Morrison-penned JLA comic book alongside Superman, he’s Plastic Man. Jerry gushes over his male maid’s cleaning skills noting he even got into hard-to-reach places like… Rubber Man. For once Elaine is the one with the comic book know-how when she tells Jerry there is no Rubber Man, to which Jerry replies: “Why did I think there was a Rubber Man? There’s Elastic Man and Plastic Man.” Jerry’s reference to Elastic Man is likely a mistaken reference to either the Elongated Man (Ralph Dibny) or Superman’s pal, Jimmy Olsen, as Elastic Lad.

“The Revenge” (1991) - Kramer plots to put concrete in the washing machine of a Laundromat for revenge so that the concrete will solidify in the machine. Jerry tells Kramer — “If only you could put your mind to something worthwhile. You’re like Lex Luthor.”

“The Heart Attack” (1991) - George is hospitalized when he mistakenly thinks he’s having a heart attack. Jerry comes to visit with him and asks George if he’d like him to go out and get him a Superman comic.

“The Deal” (1991) - Superman’s Super Friend Aquaman comes up when George asks Jerry if Aquaman was limited to being in the water or if he could be on land too. Jerry tells George that he thinks he’s seen Aquaman on land a couple of times.

“The Café” (1991) - The stand-up comedy routine during the closing credits is all about why superheroes keep secret identities - like a funny “Identity Crisis”. Turns out the secret identity developed as a means to avoid the petty nuisance claims of the very people helped by super-heroes. Jerry: “Superman, thanks for saving my life but did you have to come through my wall? I’m renting here, they got a security deposit. What am I supposed to do?”

“The Tape” (1991) - Jerry tells George that there’s no way the Chinese have discovered a cure for baldness, and if they did they wouldn’t let it out of the country. According to Jerry, “No baldness, it’d be like a nation of Supermen.”

“The Chinese Restaurant” (1991) - George is telling Jerry why he had to leave his girlfriend’s apartment before finishing having sex because he needed a private spot to go to the bathroom. He tells Jerry that the only possible way he could have explained his behavior to her would have been to tell her that he’s secretly Batman and that he’s very sorry but he just saw the Bat-signal. This is one of the rare moments during the run of the show that Batman, rather than Superman, got the spotlight.

“The Boyfriend” (Part 1) (1992) - Baseball player Keith Hernandez approaches Jerry in the gym locker room and tells him he’s a big fan of his comedy. Hernandez tells him: “I love that bit about Jimmy Olsen.” Also in this episode, George is out of work and a lie to unemployment means Jerry has to answer his telephone “Vandelay Industries”. Jerry answers: “Vandelay Industries, Kal Varnson speaking.” Kal is of course Kal-El but Kal is also Jerry’s father’s name in real life.

“The Good Samaritan” (1992) - Guest star Helen Slater, best known for playing Superman’s cousin in 1984’s “Supergirl”, plays Becky Gelke who lives across the street from Jerry and Kramer. She thinks Jerry hit her car, lied about it, and then hit on her. She does accept a date from Kramer - who has a seizure when she opens the door and he hears what’s playing on her TV set: Mary Hart of “Entertainment Tonight”.

“The Watch” (1992) - Six years before the “Bizarro” episode, it’s the first mention of Bizarro Superman. George held out for more money in negotiating their TV deal with NBC but instead of getting more money, NBC offered less money and George took it. Jerry tells him: “You know this is how they negotiate in the Bizarro world.” Actually he’s right.

“The Cheever Letters” (1992) - Before being told that Kramer had burnt down his cabin, Susan’s father blathers on about how much the cabin means to him and described it as a “sanctuary.” George nervously replies - “Kinda like Superman’s Fortress of Solitude.” Susan’s father doesn’t understand so George continues. “Superman - he built the Fortress of Solitude up at the North Pole to sort of get away from it all.”

“The Visa” (1993) - George’s girlfriend is attracted to Jerry because he’s been acting “dark and disturbed” so George looks like the funny one of their group. George tries to convince her Jerry’s only been acting dark, and tells her: “Dark and disturbed? His whole life revolves around Superman and cereal.”

“The Outing” (1993) - Jerry dates the college reporter who outed him and George as a gay couple. Jerry tells the reporter that he was attracted to her right away because she reminds him of Lois Lane. Not that there’s anything wrong with that.

“The Implant” (1993) - “They’re real … and they’re spectacular.” Teri Hatcher is Sidra Holland, who belongs to the same gym as Jerry and Elaine. Hatcher’s role on “Seinfeld” actually led to her consideration for “Lois and Clark: The New Adventures of Superman”. Elaine in the steam-room with Sidra says she can’t help overhearing her complaining about the man she’s dating - Elaine says “Does he talk about Superman all the time?” Sidra says he does and asks if she knows him but Elaine says - “I know the type.”

“The Junior Mint” (1993) - Guest star Sherman Howard plays Elaine’s hospitalized beau “Roy the artist - the triangle guy” into whose body a little junior mint must fall during an operation. Howard may play a nice guy but he’d just finished three years of being a really vile, truly psychotic Lex Luthor on TV’s “The Adventures of Superboy”.

“The Smelly Car” (1993) - Jerry’s car is stuck with the body odor of an attendant who valet parked his car. In describing the smell to George, Jerry says: “Even Superman would be helpless against this kind of stench.”

“The Pilot” (part two) (1993) - Teri Hatcher appears during a montage of guest-stars from previous episodes watching Jerry’s and George’s pilot for the “Jerry!” show. She’s watching “Jerry!” with Sal Bass who Kramer believes is really Salman Rushdie. Also guest starring in “The Pilot” two-parter is Jeremy Piven, who plays “George” on “Jerry!” Piven of course plays Ari, Vince “Aquaman” Chase’s agent on HBO’s “Entourage”. He also provided the voice of the Elongated Man on a handful of “Justice League Unlimited” episodes.

“The Mango” (1993) - Jerry compares a female orgasm to the Batcave during his opening monologue.

“The Glasses” (1993) - Jerry calls George “Aquaboy”. Aquaboy - the young Aquaman - met the Silver Age Superboy in Superboy #171 (1971).

“The Lip Reader” (1993) - The deaf ball girl’s lip-reading ability is compared to Superman’s X-ray vision. George: “It’s like having Superman for your friend.” Jerry: “I know. It’s like X-ray vision.” George: “If we could just harness this power and use it for our own personal gain, there’d be no stopping us.” Then Jerry’s very own Lex Luthor, Newman, comes in begging to use the lip reader at his postal job. Jerry refuses and Newman villainously replies: “You go ahead, you keep it secret. But you remember this. When you control the mail, you control… information.” Only someone who’s read a lot of comic books could possibly write this dialogue.

“The Stall” (1994) - Actor Dan Cortese is Elaine’s boyfriend Tony (the Mimbo) who gets hurt in a rock-climbing accident. George goes to visit him convalescing at Elaine’s and he tells George to “step off” but not before he takes a bunch of Superman comic books (including the return of one of the four Supermen after Superman’s death) that George brought over.

“The Marine Biologist” (1994) - Elaine is suspicious of why Jerry is so interested in helping the woman who found Elaine’s organizer. Jerry compares himself to Superman saying that, when Superman saves someone, nobody asks if he’s hitting on the person. Elaine replies, “Well you’re not Superman.” Jerry answers, “Well you’re not Lois Lane.”

“The Stand-In” (1994) - Jerry goes to the hospital repeatedly to cheer up a sick friend who never laughs even once during the visits. Jerry takes it personally and keeps returning to get the laugh. Jerry finally elicits laughs from the friend with a joke about the Justice League - that Superman can do everything the other heroes do all by himself. “I mean, he’s Superman for crying out loud.”

“The Fire” (1994) - As Kramer relates the story of how he saved a runaway bus, George tells him: “You’re Batman”. Kramer replies: “Ya, I am Batman.”

“The Chinese Woman” (1994) - George finds out his parents are getting a divorce and he blames the man in the cape that Jerry and Elaine saw George’s father with on the street. After George says he doesn’t trust men in capes, Jerry comes to the rescue of his cape-wearing hero: “You can’t cast aspersions on someone just because they’re wearing a cape. Superman wore a cape. And I’ll be damned if I’m going to stand here and let you say something bad about him.” George replies, “All right, Superman’s the exception.” Elaine looks on at the conversation she’s just witnessed in shock.

“The Mom and Pop Store” (1994) - Elaine snooped around for answers as to whether Jerry was invited to Tim Watley’s party. Jerry: “What’d you find out Lois?”

“The Race” (1994) - Jerry’s girlfriend is named Lois and he keeps saying it. She works with Duncan, a guy Jerry went to High School with who believes Jerry cheated in a foot race back in school. The show ends with a rematch race between Jerry and Duncan - the entire race and Jerry’s win all takes place with the John Williams “Superman” theme playing over the scene. He’s then invited to join Lois on a vacation and he tells her: “Maybe I will, Lois. Maybe I will.” Then he winks at the camera like George Reeves used to do on “The Adventures of Superman.”

“The Switch” (1995) - Jerry dates a woman with no sense of humor and says: “The jokes kept bouncing off her like Superman.” There’s a sign in the background that reads “Kal’s Signs” which was the name of Seinfeld’s father’s business.

“Highlights of a Hundred” (1995) - This clip show opens with the Superman’s sense of humor scene from “The Stock Tip”.

Superman & Seinfeld “The Fusilli Jerry” (1995) - This episode features the first appearance of Elaine’s boyfriend, David Puddy, played by Patrick Warburton. Warburton went on to provide the voice of Superman in a series of commercials and webisodes for American Express featuring Seinfeld and the Man of Steel.

“The Face Painter” (1995) - George tells a woman he loves her. Then he finds out from Kramer that she is deaf in one ear and that she never heard him say it. He compares this to when Superman reversed the rotation of the Earth to save Lois Lane. Jerry asks him if he’s going to say it again and George replies “That’s the question Jimmy.”

“The Secret Code” (1995) - Jerry’s ATM Code is Jor-El, which is the name of Superman’s biological father. Presumably it’s spelled on the ATM keyboard without the dash.

“The Caddy” (1996) - Jerry tells Elaine that Sue Ellen Mishke (”the braless wonder”) is Elaine’s Lex Luthor.

“The Seven” (1996) - Jerry’s dating a woman who keeps wearing the same outfit over and over. Jerry wonders if she has multiple copies of the same outfit like Superman does with his costume. When he finally gets into her apartment so he can check her closet, he says to himself: “So this is the Fortress of Solitude.”

“The Invitations” (1996) - Jerry and his girlfriend who’s just like him read Superman comics together. Of course she’s reading Supergirl.

“The Bizarro Jerry” (1996) - This episode is one of the more infamous instances of Superman/Seinfeld symmetry. Elaine’s ex-boyfriend turned friend Kevin is the Bizarro version of Jerry because he’s considerate and well-read. It turns out he’s got a short balding friend Gene and a wacky neighbor Feldman. His apartment is laid out exactly the opposite of Jerry’s apartment. He has a statue of a long-haired Bizarro Superman in his apartment. The coffee shop where they hang out is Reggie’s and Jerry calls it “the Bizarro coffee shop” to contrast it to Monk’s. Jerry educates both the audience and Elaine with a Bizarro primer. Says Jerry about Bizarro: “Superman’s exact opposite, who lives in the backwards Bizarro world. Up is down. Down is up. He says hello when he leaves and goodbye when he arrives.” Elaine has a difficult time with the Bizarro concept at first: “Shouldn’t he say badbye? Isn’t that the opposite of goodbye?” Then she asks: “Does he live underwater? Is he black?” Jerry tells her to forget it. Later in the episode, Elaine says goodbye to Kevin by waving and saying “hello” because he and Feldman are off to the library to read. At the end of the episode, Kevin hugs his friends (another opposite moment as Jerry always promised the “Seinfeld” main characters wouldn’t hug like on other sitcoms) and, like Bizarro, says: “Me am so happy. Me want to cry.” The beginning.

“The Voice” (1997) - George’s boss thought George was handicapped but saw George running down the street carrying his electric rascal-cart. George: “Have you ever seen the Incredible Hulk Sir?” Boss: “No.” George: “How about the old Spider-Man live action show?” A rare Marvel reference.

“The Strike” (1997) - It’s a Festivus for the rest of us. As the episode opens, the gang’s at Dentist Tim Watley’s Hanukkah party. Jerry’s introductory pick up line to a woman at the party - “You might not know this to look at me but I can run really really fast.” He is of course referring to 1994’s Superman inspired “The Race”. But it turns out the woman Jerry’s picked up puts forth two faces depending on the lighting so George tells Jerry that “she’s a two-face.” Jerry proves he’s one of “us” once again with his response - “Like the Batman villain?” George replies sarcastically: “If that helps you.” It’d help me.

“The Cartoon” (1998) - Jerry insults Elaine’s artistic skills so she tells him that her pictures are better than his pictures “of naked Lois Lane.” Jerry screams: “Where did you see that? Those are private!”

Seinfeld Season 7 DVD “The Strong Box” (1998) - This time it’s fellow JLA’er Green Lantern who gets the mention when Jerry suggests that Elaine’s mysterious new boyfriend may be a super-hero. “You could be dating the Green Lantern.” Elaine doesn’t remember who that is so Jerry refreshes her recollection - “Green suit, power ring.” Elaine replies: “I never liked jewelry on men.” When it turns out later on that Green Lantern isn’t a super-hero at all but is just poor (and married), Jerry jokes that he’s the “Got-no-Green-Lantern” and George suggests his girlfriend’s “Lois Loan”. Jerry then quips - “He could wipe out his checking account in a single bound.” Finally, Elaine accepts that she is indeed “Lois Loan” and pays the poor, married boyfriend off.

“The Bookstore” (1998) - Jerry to Kramer and Newman: “To the Idiot-mobile.”

“The Puerto Rican Day” (1998) - Jerry again uses the alias “Kal Varnson.”

“The Clip Show (a.k.a. The Chronicle)” (1998) - Immediately after the framing sequence, a montage of clips is shown with the John Williams “Superman” theme playing.

“The Finale” Part 2 (1998) - A year after “Lois and Clark: The New Adventures of Superman” went off the air, Teri Hatcher returns to network television for her third and final appearance as Sidra Holland, the woman with the real and spectacular breasts. She testifies against Elaine and Jerry, then ends up in bed with Jackie Chiles, the gang’s defense lawyer.

So there’s some fun tidbits on Jerry and the gang. Also, if anybody knows where I can find the mysterious Superposter let me know.

I Could Read them on a Train…

Monday, October 22nd, 2007

I talk a lot here about the benefits of comics and how readers can easily get more readers into the industry, but I’ve never talked about just how people read comics. How do I read my comics, after a long day at my day job, I crawl in bed in my pj’s turn on the lamp and read until I get sleepy. Some people read theirs at work, in the car, in the office, or the brave read in the tub. So how do you read your comics? In my blog on different comic book formats, see
http://www.comicbook
journal.net/can-you-hear-me-now-superman/
. Here I talk about how media is changing the comic book industry. Sure, it may be easy and portable, also digital comics prove less expensive, for example, Marvel recently released the Avengers collection on dvd/cd-rom, and it has EVERY Avengers, EVER published. It even includes scans of EVERY INTERIOR PAGE including advertisements. So how do you read comics? Now I think I’ll read mine with my laptop balanced cautiously on my stomach before I go to bed, after all, Marvel has also released the collected Doctor Strange in the same format. Sweet Dreams. :-) avengers.jpg

Thoughts

Wednesday, October 17th, 2007

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In a recent blog on dating and relationships, which can be seen here: http://www.datingoutlook.com/wtf/ Sandy asks for a translator to help decode a message with a possible ulterior motive. She doesn’t need a translator, which she needs is a thought balloon. I took the last part of a twelve hour class on communication today, and what did I learn? Even in that class, it was clear that we cannot know what anybody else is thinking at any given time, we are not mind readers. My point goes back to the old captions versus thought balloons debate. Personally I feel that there is room for both in the vastness of the comic book realm fanboys. I’ve always felt that thought balloons should be used only to convey a character’s innermost thoughts. This tool is underused by both writers and artists today. If an illustrator is having trouble conveying a character’s emotions through body language only, the thought balloon is a wonderful tool to have. It helps us poor readers first, understand where the character is coming from emotionally, therefore making the story flow smoothly. I feel that there is only one use for captions and that is to define setting. I feel that the use of captions to create drama is a very good tool, but in terms of the narrative, I feel that the silent third-person narration found in most caption boxes make the fourth wall greater, and therefore isolates the reader from the story. I think that all narration would be stronger if done from the protagonist’s or antagonist’s point of view. This could easily be completed through the use of thought. Well anyway, that’s my two cents for this evening. Thanks for listening to the rant. Questions? Comments? You know what to do.

Yo! Where’s Joe?

Sunday, October 14th, 2007

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With the future of GI Joe comics uncertain as the publishing rights are up for grabs, I think it’s time to take a look back at journey from its humble cartoon beginnings. Larry Hama helped shaped the toy line into cartoon history. So what made Joe so successful? As far as art goes, it’s important to note that each individual GI Joe had a distinct trait (almost like a power) which appealed to both the young and young at heart. Shipwrecked had his parakeet buddy, Flint, was hard, tough as flint, Cobra’s voice, was snakelike and his body was slight, and could slip out of any situation. Devil’s Due did a great job keeping the art similar to the cartoon counterpart, yet a sense of drama and action was added to this recent incarnation. Since the publishing rights are up for grabs, what do you, dear readers, think of a movie? As I’ve mentioned in my recent post on war comics:http://www.comicbookjournal.net/war-comics/
I think that war comics in this day and age are dead, and GI Joe is no exception. But I think the material is ripe for a feature length film. If done correctly, it could be a box office smash a la, the Pirates of the Caribbean. It could actually be a fun adventure that the whole family could enjoy. Plenty of action for the kids, plenty of drama for adults. So here’s to Joe, may they find a better home with a wider audience.

War Comics

Sunday, October 14th, 2007

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Crank that soulja boy! I was listening to the radio and that song, just happens to mention some two of my favorite characters: Superman and Robocop. With the marching beat, it made me think, is society finished with war comics? Was the disappearance of war comics a sign of the end of the Golden age or was society’s use for war comics just over. If comics are a reflection of our society, then since we are, in fact still in a time of war, where are the war comics of today? I know there has been some powerful graphic novels concerning the events in Iraq, but there are no serials where say Captain America fights terrorists instead of Nazis. This is the question I pose: Are comics a reflection of society and culture at any given time or are comics an escape from our culture at any given time? I tend to gravitate toward the latter. In the fifties, comics especially for soldier boys created an escape from the horrors or war, all while promoting patriotism. In the seventies, during times of social revolution, the changes in the books of the Silver Age, were an escape from Vietnam and the beginnings of the Cold War. Now today, comics, with nearly every genre with the exception of war, and alas westerns (which we will discuss in a future blog) provide an escape from everything, well, digital. I think the death of war comics in modern comics is merely an indication that society is tired of the battlefront and (I’ll dare say it) flag-waving in general. So crank that–soulja boy.

It Does a Body Good

Wednesday, October 10th, 2007

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I was thinking earlier today about what is the modern-day ambrosia. What would be the newest food of the gods. What is the perfect food? What does this have to do with comic books? Cereal, my friends. I’ve found no matter what time of day nothing is as refreshing or as filling as a heaping bowl of cereal. I favor the Seinfeld approach to cereal, pack as many varieties of the flaky stuff as you can into your cabinets, because not every day is a Froot Loop day. Hopefully, every day is not a bland, Corn Flakes with no sugar day. wheaties.jpg Comic books and cereal companies have had a terrific partnership over the years, yet it seems to me that this relationship is waning. Maybe it’s the push for more grains and minerals in children’s diets, maybe it’s parental groups who think sugar ruins childhood and gives kids ADHD; whatever the case may be I believe it’s time to bring back comics to cereal to improve readership and at least make breakfast fun again. Just like I’ve said before in my blog on retro ads for Twinkies and such in comics, which you can visit here:www.comicbookjournal.net/mmmmmcomics/
I feel there is nothing wrong with advertising within comics. Hopefully one day the books will be a quarter again with all the profits made from advertising revenue, but I digress. Remember when the Batman movies first came out–there was a cereal. When GI Joe became a popular cartoon–there was a cereal, so why not have Marvel’s Mighty Marshmallow Avengers or Wonder Woman Waffle Crisp? All I’m saying is that a little fun for breakfast never killed anyway. Alas I best go before my ADHD kicks in again. Nothing like a bowl of Fruity Pebbles to make you lose focus fast. fruitypebbles.jpg

In This Corner…

Tuesday, October 9th, 2007

And now for something completely different.
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In this corner hailing from Riverdale High….Archie. The challenger from Beverly Hills, Barbie. Who would win in a steel cage death match between these icons? As far as comic books which appeal to the preteen market, Barbie and Archie have always had a substantial share of the market, but as far as longevity goes, the Archies have it. As far as characterization goes, the Archie crew actually change and have dating problems, academic problems, and even, yes have jobs. So, which group of semi-rebellious teens would you rather have your son or daughter looking at, my vote goes to the Archie all the way. I’d say if these two teams were really placed together in a steel cage fight to the death, Archie would have Jughead take out Ken with a super head butt followed up with a pile driver. All the while Betty and Veronica would bond with Barbie and Skipper. They would take the high road. They would go to the mall. barbie.jpg

DVD’s are Fantastic

Friday, October 5th, 2007

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I recently read a review of Fantastic Four: Rise of the Silver Surfer, and I think the treatment of the Fantastic Four movies in reviews was a little harsh. Admittedly, I have not seen the second flick, but I enjoyed the first—to a point. I think that critics were reading into the film trying to make it something it was not. Clearly, the film was not meant to be the greatest comic book epic of all time, but rather mindless or recreational entertainment. And it accomplished just that. In context of the comics, which I felt were always a little weak in plot and characterization anyway, I think the major redeeming quality of the film was the modernization of the group. In terms of judgment of the quality of the acting, frankly the original source material doesn’t have much to offer. Has anyone read the dialogue? I mean, come on, there’s just no way to make the phrase “Flame on,” cool. Some critics have felt that the casting of the Invisible Woman was a bad choice, but Alba does have the body to pull off the costume, which is all I ever thought the purpose of the character was anyway, to be eye candy for Reed Richards. I know hardcore fans of Stan Lee and Jack Kirby will probably disagree, but I think when you start with a poorly written comic book with cardboard cutout characters, combine that with square, bold art which lacks detail, such as Kirby’s, then make the team of all things, a family you’re asking for a flop. For me personally, all the Fantastic Four brings to mind is Lost in Space meets Mystery in Space. So let Marvel’s first family rest in peace in the DVD bargain bin already, there’ll be a third movie to groan at soon enough. If you want to read the actual review go here: http://www.popculturebuzz.com/dvd-review-the-fantastic-4-rise-of-the-silver-surfer/
So until tomorrow Flame On!!

The Freedom of Speech

Thursday, October 4th, 2007

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I recently came across a post concerning literary censorship and how to fight it. The major factor that keeps a book banned is the unwillingness of people to speak out and take action. I have to say in respect to the comic book community, we have did an excellent job of fighting court decisions to ban what some may label as offensive or obscene in pursuit of artistic freedom. We have mostly the Comic Legal Defense Fund to thank for this. The group comprised of fan favorites such as Neil Gaiman, Harlan Ellison, and Frank Miller, along with thousands of fans and also donors have contributed to many successful court cases and injunctions to stop production and also the selling of some comic books. A cautionary word however, when you give out your comics and candy to neighboring children, please keep in mind the age range of your trick-or-treater and be sure to hand out material that is appropriate for all ages. There is actually an ongoing trial in that matter, and the Comic Book Legal Defense fund is doing everything possible to ensure there is justice. Let’s pause for a moment and imagine what the industry would be like if “Seduction of the Innocent” had not been written and book burnings were not held. EC would probably still be around, booming in business. Comic books would still be held as popular family entertainment, and there would be far less jokes cracked at the speculation of Batman and Robin’s sexual preferences. So what’s the point? The point is, sometimes when a book is banned or censored everyone is assuming someone else will speak out. If we all assume someone else will voice our collective opinion or protest, then inevitably no one will speak out. Become active, get involved, and support the CBLDF. For more information about the Comic Book Legal Defense fund go to : www.cbldf.org. If you’d like more information about banned books in libraries and schools please link to the books and literature blog on 451 Press. There is a wealth of information. It can be found here: http://www.tinytreasury.com/what-you-can-do-to-fight-censorship/

P.S. I’ve checked the links and they all should work ;-) Thanks again my friends!

Octoberfest

Tuesday, October 2nd, 2007

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Myth and folklore leave lasting impressions on any culture. Since it is now October, we’ll take the story of the Jack O’ Lantern for example. From folklore, it is rumored that a stingy man named Jack made a deal with the devil which took a wrong turn. Jack ended up tricking the devil, which saved his soul from Hell, yet, he was also barred from Heaven. Jack was doomed to wander the land forever, with nothing but a burning ember left to him by the devil to light his way. Jack, scared to lose his only light hollowed out a turnip and put the light inside of it. Thus, the legend of the Jack O’ Lantern was born. The myth later evolved to a pumpkin instead of turnip, and many Scottish and Irish families, used these “lanterns” to ward off evil spirits. We continue the tradition today. Comic books are one legacy we can leave behind. Sometimes the characters are borrowed from past myths and legends, others are completely original. Characters like Scooby Doo,scoobydoo.jpg Ghost Rider, Spawn, Evil Ernie, the Spectre, and Dr. Strange, all uniquely deal with the otherwordly, and are all perfect Halloween comic picks. Proving that horror comics have a future in the industry.30days1.gif Such titles as 30 Days of Night, Buffy, Angel, Anita Blake: Vampire Hunter, and Moon Knight are still going strong. New twists on old familiar characters will surely haunt your world this October like the new Marvel:Zombies, Resident Evil, and Silent Hill.dark_horse_buffy_1_reduced.jpg When considering a list of favorites however, don’t forget to include the classics in the stories you will tell such as The Witching Hour, House of Mystery, and Tales of the Crypt. witchinghour56.gif As comic book readers, and also storytellers we have the power to shape our own mythos for generations to come. I think Buddy Scalera in his 1999 article for Wizard had the right idea by passing out comic books instead of candy for trick or treaters, this will ensure the embers will never burn out in the niche the comic book genre in the annals of literature. scarygodmoth1.jpg So happy October loyal readers, if you’re unsure of costume ideas for your collective parties be sure to check out my blog about the Top Ten Sexiest Superhero Costumes. It can be found here:http://www.comicbookjournal.net/top-ten-sexiest-superhero-costumes/

What it Was, Was Football

Monday, October 1st, 2007

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I have the fever. Football fever. I’m just a casual viewer and don’t have any favorite teams, conferences, or leagues, but I was impressed with some of Sunday’s games. Detroit 37, Chicago 27. What could have happened?

Comic books have tried to crossover with football in previous ventures, we all know about NFL Superpro. We all also know what a tragedy in storytelling it was. The uniform was cheesy, the “powers” were lame, and the heroism was weak. Sure, it was geared toward a younger audience, but the creators could have did a better job with the overall story instead of just trying to turn a cheap buck. I have recently discovered another, rarity in the ranks of football comic books. Did you know that Barry Sanders had his own comic book?
barry-sanders.JPG Hopefully his wasn’t as bad as the NFL Superpro. If anyone’s read this gem, let me know.
The NFL hasn’t only crossed over with comic books though. Remember Starting Lineup action figures. I vaguely remember seeing them on toy shelves in the 90’s. I personally, don’t have any, but I know that collectors sought them out rabidly. Despite being a ploy for the league and various superstars to make a buck or two, these are actually descent renditions of superstars. I would like to see someone who has all of them perhaps in a homemade stadium, reenacting some of the greatest match-ups of all time.starting-lineup.JPG

My passion is mainly within comics, but anyone who loves toys and collecting toys should definitely check out http://www.toybender.com/this-month-in-toyfare-issue-123-november-2007/

Paul has recently completed his review of the newest issue of Toyfare, and has the latest scoop on the newest DC figures. Yeah in Toyfare they like to talk about comic books too.

Anyway, I don’t know what happened on Sunday to fire up Detroit, but there are a few things I do know: I know I love comics, I know that playing with toys can make a bad day better. And I know that NFL Superpro can always be found in the dollar bin to serve as a reminder of what not to do in a comic.

What it was, was football, but I still think that Barry Sanders had a hand in it somewhere.

About Comic Book Journal

Where do capes and cowls end and horror and noir begin? What's more important: the four-color panels, or the letter balloons within them? Did comics really begin in cave walls, or just in the Sunday morning cartoons? What the heck is a graphic novel? These questions and more are answered in the Comic Book Journal, the place between the page and the panel, the motion line and the sound byte, the superhero and the every(wo)man.

Comic Book Journal Author(s)
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