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100 Bullets #88

by Jessica

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While I was reading this, I realized that I had never read anything by Brian Azzarello before even though he has become a bit of a legend for his style in the comics world. Let me start by saying I think this title is the perfect fit for him because he is definitely non traditional with his technique. I don’t know much about his background, but my bet is he was a screenwriter before coming to the comics world. His pacing is fantastic, with cut scenes between the separate narratives timed perfectly. This what I have to say I liked best about the book. If this was a traditional Marvel or DC title, I don’t think it would have kept my attention though. He moves slowly to develop the story over a period of time, and I don’t think with a stand alone issue it would work. This issue shows a group of kids and the aftermath of a crime. One of their friends had his brains blew out of his head (literally) in front of them and they are left to try and understand why. Eduardo Risso’s art is subdued thanks to excellent coloring techniques and his loose rendering seems to fit with the atmosphere with this title.

While Azzarello tells a good crime story, I was left thinking afterwards, he doesn’t do noir very well. And let there be no mistake not all crime stories are noir, nor should they be. Frank Miller could have done this particular issue better, as I have hereby decreed him the king of noir, with Sin City. So I tip my hat to Brian for his careful planning and meticulous plot work, but I think his characterization is a little off, even in attempting to make it emotionally wrought with the inexplicable death of a teenager he fails to connect in a way. I just didn’t care what happened to the characters. Maybe if I had read the series up to this point I would have had more understand of why this event was important, but that’s the point I hadn’t. This title is not accessible to new readers which could kill its sales.

Everything together I would have to give this issue a seven out of ten. While it is an excellent read, it would be so much better if it didn’t have mob elements threw in the mix and had a “previously…” section for new readers. I say pick up this issue if you’re looking for a good read on a rainy Sunday morning–don’t pick up this issue if you’re looking for a jumping on point for the series.

If you like this type of continuing storyline and want to see the perfect example of noir and mystery read my favorite title from last year Durwin Talbot’s Bonds. If you haven’t seen it already here’s my review. http://www.comicbookjournal.net/the-ties-that-bond/ I recommend this every chance I get.


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Where do capes and cowls end and horror and noir begin? What's more important: the four-color panels, or the letter balloons within them? Did comics really begin in cave walls, or just in the Sunday morning cartoons? What the heck is a graphic novel? These questions and more are answered in the Comic Book Journal, the place between the page and the panel, the motion line and the sound byte, the superhero and the every(wo)man.

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